The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo Reproduction

by Dore

  
Random
Reproductions

The Mystic Marriage of St Catherine Reproduction
View of the Yard at the Spread Eagle, Gracechurch Street, with Coaches and Horses Feeding, 1814 Reproduction
St. James the Greater, Exterior of Left Wing of Last Judgement Altarpiece Reproduction
A Landscape with a River at Evening 1650 Reproduction
Masacre De Mejor Esquina Reproduction


Title:The Inferno, Canto 28, lines 69-72: call thou to mind Piero of Medicina, if again Returning, thou behold’st the pleasant land That from Vercelli slopes to Mercabo
Artist:Gustave Dore Reproductions
Museum:Private collection

Random
Reproductions

Venice- The Feast Day of St. Roch (The Doge Visiting the Church and the Scuola di San Rocco) 1735 Reproduction
Reading Couple Aka Edmond Renoir And Marguerite Legrand Reproduction
Opehlia Reproduction
Mrs Albert M Miller Reproduction
Ulfsunda on Lake Maler, 1840 Reproduction
  


RATE THIS PAINTING:
 
NOT RATED YET

Next Paintings

The Inferno, Canto 29, lines 4-6: But Virgil rous’d me: “What yet gazest on? Wherefore doth fasten yet thy sight below Among the maim’d and miserable shades? Reproduction
The Inferno, Canto 29, lines 4-6: But Virgil rous’d me: “What yet gazest on? Wherefore doth fasten yet thy sight below Among the maim’d and miserable shades? Reproduction
The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. Reproduction
The Inferno, Canto 29, lines 52-56: Then my sight Was livelier to explore the depth, wherein The minister of the most mighty Lord, All-searching Justice, dooms to punishment The forgers noted on her dread record. Reproduction
The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. Reproduction
The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. Reproduction
The Inferno, Canto 30, lines 33-34: “That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite.” Reproduction
The Inferno, Canto 30, lines 33-34: “That sprite of air is Schicchi; in like mood Of random mischief vent he still his spite.” Reproduction
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” Reproduction
The Inferno, Canto 30, lines 38-39: “ That is the ancient soul Of wretched Myrrha,” Reproduction
The Inferno, Canto 31, lines 133-135: Yet in th’ abyss, That Lucifer with Judas low ingulfs, Lightly he plac’d us Reproduction
The Inferno, Canto 31, lines 133-135: Yet in th’ abyss, That Lucifer with Judas low ingulfs, Lightly he plac’d us Reproduction
The Inferno, Canto 31, lines 64-66: “O senseless spirit! let thy horn for thee Interpret: therewith vent thy rage, if rage Or other passion wring thee.” Reproduction
The Inferno, Canto 31, lines 64-66: “O senseless spirit! let thy horn for thee Interpret: therewith vent thy rage, if rage Or other passion wring thee.” Reproduction
The Inferno, Canto 31, lines 82-84: “This proud one Would of his strength against almighty Jove Make trial” Reproduction
The Inferno, Canto 31, lines 82-84: “This proud one Would of his strength against almighty Jove Make trial” Reproduction

Related Paintings

Customs of the Inhabitants of the Mariana Islands, plate 28 from 'Le Costume Ancien et Moderne' Reproduction
Customs of the Inhabitants of the Mariana Islands, plate 28 from 'Le Costume Ancien et Moderne' Reproduction
Male nude Seated 1887-88 Reproduction
Male nude Seated 1887-88 Reproduction
Night and the Declining Day Reproduction
Night and the Declining Day Reproduction
Flight of the Pagan Deities Reproduction
Flight of the Pagan Deities Reproduction
Seated Nude (1), 1925 Reproduction
Seated Nude (1), 1925 Reproduction
Bacchanal Reproduction
Bacchanal Reproduction
Study of Four Figures for Repose, 1863 Reproduction
Study of Four Figures for Repose, 1863 Reproduction
Sirens Reproduction
Sirens Reproduction

Art related news

Eloquent Visions: Outsider and Visionary Art - Orleans House Gallery, Twickenham UK United Kingdom
Call for Artists: 23rd Annual Juried Competition - Agora Gallery, New York, NY, USA United States of America
Orbus: Ellen Gallagher - Fruitmarket Gallery, Edinburgh UK United Kingdom
Sabattier Revisited by Bolivian Photographer Gonzalo Contreras - Corporación Cultural de Las Condes, Santiago CL Chile
Jorge Restrepo: Tactile Art - Museo Universitario, Medellin CO Colombia
Vying Posie: Photographs by Peter McKenzie - NSA Gallery, Durban ZA South Africa
Call for Artists: War, Madness, and Delusion - Meetinghouse, Andover Newton Theological School, Newton, MA, USA United States of America
Earth Dust: Lisa Michl - Cairns Regional Gallery, Cairns, QL, AU
Rainbow Warrior: The Visionary Works of Glenn Moosnick - Fountain Gallery, New York, NY, USA United States of America
Paintings by Jerry Ross Featured in Group Exhibition - Opus6ix, Eugene, OR, USA United States of America
Bird Flu: Stefano Cagol - Kunstraum Innsbruck, Innsbruck AT Austria