The Inferno, Canto 18, line 38: Ah! how they made them bound at the first stripe! Reproduction

by Dore

  
Random
Reproductions

Reading (or Mme Manet and Léon) Reproduction
Nasturtiums And Dahlias In A Basket Reproduction
Looking Southwest over Church's Farm from the Sienghenberg Reproduction
Van Dycks First Love Reproduction
Maurice Levy Reproduction


Title:The Inferno, Canto 18, line 38: Ah! how they made them bound at the first stripe!
Artist:Gustave Dore Reproductions
Museum:Private collection

Random
Reproductions

Raby Castle The Seat Of The Earl Of Darlington Reproduction
Water-Lilies2 1903 Reproduction
A Winter View in Posen Reproduction
Crab, Lobster and Fish Reproduction
'Sihfs Karta' (Boat Ticket) an illustration from 'Six Stories with Easy Endings' 1922 Reproduction
  


RATE THIS PAINTING:
 
NOT RATED YET

Next Paintings

The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” Reproduction
The Inferno, Canto 18, lines 116-117: “Why greedily thus bendest more on me, Than on these other filthy ones, thy ken?” Reproduction
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ Reproduction
The Inferno, Canto 18, lines 130-132: Thais is this, the harlot, whose false lip Answer’d her doting paramour that ask’d, ‘Thankest me much!’ Reproduction
The Inferno, Canto 19, lines 10-11: There stood I like the friar, that doth shrive A wretch for murder doom’d Reproduction
The Inferno, Canto 19, lines 10-11: There stood I like the friar, that doth shrive A wretch for murder doom’d Reproduction
The Inferno, Canto 21, line 70: “Be none of you outrageous.” Reproduction
The Inferno, Canto 21, line 70: “Be none of you outrageous.” Reproduction
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks Reproduction
The Inferno, Canto 21, lines 50-51: This said, They grappled him with more than hundred hooks Reproduction
The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.” Reproduction
The Inferno, Canto 22, line 70: In pursuit He therefore sped, exclaiming; “Thou art caught.” Reproduction
The Inferno, Canto 22, lines 137-139: But the’ other prov’d A goshawk able to rend well his foe; And in the boiling lake both fell. Reproduction
The Inferno, Canto 22, lines 137-139: But the’ other prov’d A goshawk able to rend well his foe; And in the boiling lake both fell. Reproduction
The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d Reproduction
The Inferno, Canto 23, lines 52-54: Scarcely had his feet Reach’d to the lowest of the bed beneath, When over us the steep they reach’d Reproduction

Related Paintings

Adam and Eve, from The Virgin of Humility with Angels and Saints, c.1440 Reproduction
Adam and Eve, from The Virgin of Humility with Angels and Saints, c.1440 Reproduction
The Painter Reproduction
The Painter Reproduction
Love Conquers Reproduction
Love Conquers Reproduction
Lydia, engraved by William Dickinson 1746-1823, pub. by Dickinson and Watson, 1779 Reproduction
Lydia, engraved by William Dickinson 1746-1823, pub. by Dickinson and Watson, 1779 Reproduction
Juno and Argus c. 1611 Reproduction
Juno and Argus c. 1611 Reproduction
Bacchic Scene c. 1627 Reproduction
Bacchic Scene c. 1627 Reproduction
Vertumnus and Pomona, mid-17th century Reproduction
Vertumnus and Pomona, mid-17th century Reproduction
Dido on the Pyre, 1775 Reproduction
Dido on the Pyre, 1775 Reproduction

Art related news

Eloquent Visions: Outsider and Visionary Art - Orleans House Gallery, Twickenham UK United Kingdom
Call for Artists: 23rd Annual Juried Competition - Agora Gallery, New York, NY, USA United States of America
Orbus: Ellen Gallagher - Fruitmarket Gallery, Edinburgh UK United Kingdom
Kerim Seiler - Creature Comfort - blank projects, Cape Town ZA South Africa
Small Moments: Tom Cullberg - Joao Ferreira Fine Art, Cape Town ZA South Africa
Crossroad: The Liminal State of Light and Dark - Work by Fernando Ferreira de Araujo - Artemide Showroom, Coral Gables, FL, USA United States of America
Paintings and Poems / Poems and Paintings - Artamo Gallery, Santa Barbara USA United States of America
Noncommittal: A Prospective Glance - UB Art Gallery, Buffalo, NY, USA United States of America
Stanley Boxer: Paintings and Selected Prints - Madelyn Jordon Fine Art, Scarsdale, NY, USA United States of America
Charles Sheeler: Across Media - National Gallery of Art, Washington, DC, USA
Call to Artists: Amateur Adult Photographers Exhibition (Ages 16 - 99) - Young at Art Childrens Museum, Davie, FL, USA United States of America