Reproductions by George Catlin

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Bird's Eye View of Niagara Falls Reproduction
Bird's Eye View of Niagara Falls Reproduction

The War Dance by Ojibbeway Indians Reproduction
The War Dance by Ojibbeway Indians Reproduction

See-non-ty-a, an Iowa Medicine Man Reproduction
See-non-ty-a, an Iowa Medicine Man Reproduction

Mandan okipa ceremony Reproduction
Mandan okipa ceremony Reproduction

A Bison, c.1832 Reproduction
A Bison, c.1832 Reproduction

A Comanche family outside their teepee, 1841 Reproduction
A Comanche family outside their teepee, 1841 Reproduction

'Mint', a Mandan Indian girl, 1832 Reproduction
'Mint', a Mandan Indian girl, 1832 Reproduction

Buffalo Hunt under the Wolf-skin Mask Reproduction
Buffalo Hunt under the Wolf-skin Mask Reproduction

A Buffalo bull grazing Reproduction
A Buffalo bull grazing Reproduction

'Buffalo Bull' and 'the Big Elk', 1841 Reproduction
'Buffalo Bull' and 'the Big Elk', 1841 Reproduction

'Chief Wolf on the Hill' and his wife 'She who Bathed her Knees', 1841 Reproduction
'Chief Wolf on the Hill' and his wife 'She who Bathed her Knees', 1841 Reproduction

Brick Kilns Reproduction
Brick Kilns Reproduction

'The Owl', c.1832 Reproduction
'The Owl', c.1832 Reproduction

Buffalo Hunt, Surround, c.1832 Reproduction
Buffalo Hunt, Surround, c.1832 Reproduction

Tipi Village, c.1830 Reproduction
Tipi Village, c.1830 Reproduction

'Old Bear' medicine man of the Mandan Tribe, from a painting of 1832 Reproduction
'Old Bear' medicine man of the Mandan Tribe, from a painting of 1832 Reproduction

Buffalo Hunt, plate 7 from Catlin's North American Indian Collection Reproduction
Buffalo Hunt, plate 7 from Catlin's North American Indian Collection Reproduction

Máh-to-tóh-pa, Four Bears, Second Chief, in Full Dress Reproduction
Máh-to-tóh-pa, Four Bears, Second Chief, in Full Dress Reproduction

Floyd's Grave, Where Lewis and Clark Buried Sergeant Floyd Reproduction
Floyd's Grave, Where Lewis and Clark Buried Sergeant Floyd Reproduction

Buffalo Bulls Fighting in Running Season, Upper Missouri, 1837-39 Reproduction
Buffalo Bulls Fighting in Running Season, Upper Missouri, 1837-39 Reproduction

Pigeon's Egg Head (The Light) Going to and Returning from Washington Reproduction
Pigeon's Egg Head (The Light) Going to and Returning from Washington Reproduction

A Mandan tribal dance representing 'Day' and 'Night', from a painting of c.1835 Reproduction
A Mandan tribal dance representing 'Day' and 'Night', from a painting of c.1835 Reproduction

'White Cloud', Head Chief of the Iowas, 1844-45 Reproduction
'White Cloud', Head Chief of the Iowas, 1844-45 Reproduction

Buffalo bull protecting calf and mother under attack Reproduction
Buffalo bull protecting calf and mother under attack Reproduction

Sioux Indians hunting buffalo, 1835 Reproduction
Sioux Indians hunting buffalo, 1835 Reproduction

Sioux Village Reproduction
Sioux Village Reproduction

Co-ee-há-jo, a Seminole Chief Reproduction
Co-ee-há-jo, a Seminole Chief Reproduction

The Indian Ball Game, c.1832 Reproduction
The Indian Ball Game, c.1832 Reproduction

Scalping and decorative use of scalps Reproduction
Scalping and decorative use of scalps Reproduction

Indian Ball Game Reproduction
Indian Ball Game Reproduction

Minatarees attacking buffalo on horseback Reproduction
Minatarees attacking buffalo on horseback Reproduction

A Jaguar Hunt, Brazil Reproduction
A Jaguar Hunt, Brazil Reproduction


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Previous & Next Artists

George Cammidge Reproductions
George Cammidge
George Campfield Reproductions
George Campfield
George Carline Reproductions
George Carline
George Carter Reproductions
George Carter
George (nee Dupin) Sand Reproductions
George (nee Dupin) Sand
George (Randolph) Barse Jr. Reproductions
George (Randolph) Barse Jr.
George (Sydney) Shepherd Reproductions
George (Sydney) Shepherd
George A. McKinstry Reproductions
George A. McKinstry

Paintings of The Day

Masonic Drop Sketch Reproduction
Masonic Drop Sketch Reproduction
The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. Reproduction
The Inferno, Canto 29, lines 79-81: The crust Came drawn from underneath in flakes, like scales Scrap’d from the bream or fish of broader mail. Reproduction
Snowy Landscape, 1866 Reproduction
Snowy Landscape, 1866 Reproduction
Visit to the Country Dairy Reproduction
Visit to the Country Dairy Reproduction
Peaches Reproduction
Peaches Reproduction
A big cutter approaching the turning mark with the crowded club steamer beyond Reproduction
A big cutter approaching the turning mark with the crowded club steamer beyond Reproduction
The Birth of Adonis Reproduction
The Birth of Adonis Reproduction
A man shouting Reproduction
A man shouting Reproduction

Art related news

Eloquent Visions: Outsider and Visionary Art - Orleans House Gallery, Twickenham UK United Kingdom
Call for Artists: 23rd Annual Juried Competition - Agora Gallery, New York, NY, USA United States of America
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Joey Remmers: Tracking The Wounded - Corey Helford Gallery, Culver City, CA, USA United States of America
Vincenzo Montella: Metropolitan Reflexes - Guida Merliani, Naples IT Italy
Mark R Brockman: Landscapes - Delaplaine Visual Arts Center, Frederick, MD, USA United States of America
Hussein Salim and Raja Oshi: Rich Heritage of Sudan - Blue Caterpillar Art Gallery, Willowton ZA South Africa
Charles Sheeler: Across Media - National Gallery of Art, Washington, DC, USA
21: Contemporary Art at the Brooklyn Museum - Brooklyn Museum of Art, Brooklyn, NY, USA
Mattie Iverson Relives Trek Through East Africa in Soft Focus - Viveza Gallery, Seattle, WA, USA United States of America
Birds, Beasts and Bugs: Japanese Wood Block Prints - Gibbes Museum of Art, Charleston, SC, USA United States of America